Je suis un designer né à Brest en 1994. Mes recherches portent sur les phénomènes artificiels et naturels, que je prends plaisir à observer, confondre et détourner, envisageant un design où l’objet n’est jamais clos.
Je conçoit également des textes, des espaces ou des videos pour rendre compte ou contrarier certaines mutations techniques de notre temps. Ces productions sont à destination d’institutions publiques ou de marques.
Davantage qu’une succession de projets, mon travail est un argumentaire continu à propos de nos objets du quotidien et de leurs possibles écologies, se situant quelque part entre le romantisme et les sciences de l’ingénieur.
Il aboutit souvent à des expositions, que j’envisage comme un lieu de vie abritant des visiteurs et visiteuses, mais aussi des médiateurs ou des agentes d’entretien, traversé de diverses infrastructures techniques et enjeux politiques. Elle est, de ce fait, porteuse d’un cahier des charges spécifique régi par des usagers qui le sont tout autant. D’avantage qu’un médium ou un support, elle devient ce faisant mon sujet, une succession de choix de laquelle émerge un propos. Mêlant objets montrant et objets montrés, le résultat varie de la scénographie à la proposition artistique en fonction des contextes et commandes. J’aime en revendiquer la dimension évènementielle et que son éphémérité soit représentée autant que conçue.
De l’espace, je migre vers l’objet et inversement, sans qu’il n’y ait véritablement de distinction entre les deux: je conçois des objets sans bords, poreux avec leurs environnements et les situations dans lesquels ils s’intègrent.
J’ai exposé, entre autres, à la Villa Noailles, au Pavillon de l’Arsenal, au Vitra Design Museum, à la Triennale de Milan et à la Biennale de Porto.
Re(`)fe(`)rences
Agora pour la recherche en design
AOC
Constructlab
Ensci - Les Ateliers
ENSAD Paris
ENSAD Nancy
Fondation Martell
Institut Français
Institut Français Milano
Koozarch
Le Voyage à Nantes
Ministère de la Culture
Pavillon de l’Arsenal
Pli magazine
Porto Design Biennale
Triennale Milano
Villa Noailles
Ville de Paris
La Villette
ZKU Berlin
....
Collaboratorices
@juliettegelli
@romainguillet.studio
@collectifdallas
@calage_nickel
@atelier_parades
@nolwenn.turlin
...
I am a designer, curator and scenographer. I interweave practices and question their aims. I use objects, writing, space or video to report on certain technical mutations of our time and their effects. More than a succession of projects, my work is a continuous argument about our everyday objects and their possible ecologies, somewhere between romantism and ingeneering.
It often evolves as exhibitions, which I see as a living space housing visitors, but also mediators and maintenance workers, crossed by various technical infrastructures and political issues. It is, therefore, the bearer of specifications governed by users. The exhibition is my main subject, mixing showing and shown objects in a practice that varies from the scenography to the artistic proposal depending on the contexts and commisions. I like to claim it as events and insist on their ephemerality, which I try to make as visible as conceived.
From space, I migrate towards the object and vice versa, without there being any distinction between the two. I design unenclosed, porous objects with their environments.
This experimental research has been exhibited, among others, at the Villa Noailles, the Pavillon de l’Arsenal, the Vitra Design Museum, the Milan Triennale and the Porto Biennale. I increase it through collaborations and workshops, but also by presenting it in the form of articles and conferences.
It often evolves as exhibitions, which I see as a living space housing visitors, but also mediators and maintenance workers, crossed by various technical infrastructures and political issues. It is, therefore, the bearer of specifications governed by users. The exhibition is my main subject, mixing showing and shown objects in a practice that varies from the scenography to the artistic proposal depending on the contexts and commisions. I like to claim it as events and insist on their ephemerality, which I try to make as visible as conceived.
From space, I migrate towards the object and vice versa, without there being any distinction between the two. I design unenclosed, porous objects with their environments.
This experimental research has been exhibited, among others, at the Villa Noailles, the Pavillon de l’Arsenal, the Vitra Design Museum, the Milan Triennale and the Porto Biennale. I increase it through collaborations and workshops, but also by presenting it in the form of articles and conferences.